"Islamic Themes in US Hip-Hop Culture" by Anders Ackfeldt
 

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Description

Explores how Islam is produced in American hip-hop culture by both Muslims and non-Muslims

Islam has been a part of hip-hop culture since it sprang from New York’s street culture in the 1970s. Today hip-hop has evolved into a global artform with a diversity of Muslim Islamic discourses expressed. Using tools from the field of social semiotics, this book examines how Islamic themes feature in US hip-hop culture, maintaining a particular awareness that both Muslims as well as non-Muslims participate in their production.

Anders Ackfeldt analyses a collection of lyrics, sounds and images to show how Islamic themes are featured in US hip-hop culture. Furthering our understanding of the semiotic associations and functions of Islamic themes, the text demonstrates that Muslims as well as non-Muslims have used these themes in their artistic productions throughout the history of African American music-making. Examining the use of Islamic semiotic resources in gospel, blues and jazz through to hip-hop, Ackfeldt reveals a historical continuity running through US musical culture – and one which is also often connected to African American religious initiatives and African American empowerment politics.

ISBN

9781399537551

Publication Date

2025

Publisher

Edinburgh University Press, AKU-ISMC and AKMP

City

Edinburgh

Keywords

hip-hop, Islam, muslims, non-muslims, semiotics, United States

Disciplines

African American Studies | American Popular Culture | Audio Arts and Acoustics | Critical and Cultural Studies | Ethnomusicology | Islamic Studies | Race and Ethnicity | Social and Cultural Anthropology | Sociology of Religion

Islamic Themes in US Hip-Hop Culture

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