Pnina Werbner, Editor
Martin Webb, Editor
Kathryn Spellman-Poots, Editor
A remarkable feature of the Arab Spring and other protests that followed in Egypt, India, Botswana and the UK, among other places, has been the salience of images, songs, videos, humour, satire and dramatic performances.
This book explores the central role the aesthetic played in energising the mass mobilisations of young people, the disaffected, the middle classes, the apolitical silent majority, as well as enabling solidarities and alliances among democrats, workers, trade unions, civil rights activists and opposition parties.
Comparing the North African and Middle Eastern uprisings with protest movements such as Occupy, the authors bring to bear an anthropological and sociological approach from a variety of perspectives, illuminating the debate by drawing on a wide array of disciplinary expertise.